Two years ago, generative AI video tools were a curiosity — something to experiment with on weekends, not something you'd put in front of a client. That's no longer the case. In 2026, AI has moved from novelty to infrastructure, and Singapore's production industry is changing faster than most people realise.
At Glory Forest Media, we've been integrating AI into every layer of production since 2023. We've worked on brand films, TVCs, UGC campaigns, and animated series — all with AI deeply embedded in the workflow. Here's what we've actually observed.
What has actually changed
The most visible change is speed. A brand film that used to take six weeks from brief to delivery can now be done in two — without sacrificing quality. The less visible change is cost. Productions that would have required large crews, location shoots, and post-production houses can now be produced by a small team with the right tools and creative direction.
These aren't marketing numbers — they're what we've measured across real client projects in the past 18 months. The savings aren't evenly distributed: you see the biggest gains in VFX-heavy work and in projects that require multiple visual variants for different platforms.
"AI doesn't replace the filmmaker. It removes the ceiling on what a small, talented team can produce."
The tools that matter in Singapore
Not all AI video tools are created equal, and the right choice depends on your brief. Here's how the three dominant platforms stack up for the kind of work Singapore brands actually need:
In practice, most projects at Glory Forest use a combination of tools — each contributing to different stages of the pipeline. The skill isn't knowing one tool deeply; it's knowing which tool to use when, and how to combine them into a coherent visual language.
What Singapore brands are asking for
We've seen a clear shift in what clients are briefing. Three categories dominate our inbound in 2026:
AI special effects overlaid on real footage. Brands want the production value of VFX without the VFX budget. We produce transformation sequences, elemental effects, and particle work that would have cost 10x more with traditional methods.
Fast-turnaround UGC-style content at brand quality. The UGC wave hasn't slowed — but clients want content that feels authentic while actually being polished. AI lets us produce 12–15 variants of a concept in the time it would take to shoot two.
Animated brand world-building. Several regional brands have come to us wanting to establish visual universes — characters, environments, aesthetic languages — that can be deployed across all touchpoints. AI makes this achievable for brands that aren't Disney.
Frequently asked questions
What comes next
The pace of change isn't slowing. Models are releasing on six-month cycles now, and each generation brings capabilities that would have seemed impossible a year ago. The production companies that will thrive are the ones that treat AI as a core craft — not an add-on.
For Singapore brands, this means the barrier to producing world-class visual content has never been lower. The question is no longer whether you can afford it. It's whether you're working with people who know how to make it extraordinary.
If you'd like to talk about what AI production could look like for your brand, we'd love to hear from you.